Kelly Church (Match-E-Be-Nash-She-Wish Band of Pottawatomi/Ottawa, born 1967), Looking to the Future—What Would You Choose?, 2024. Black ash, copper strips, size 15 beads, sinew, vial with corn seeds, vial with gold flakes, flash drive with photos. Collection of Kelly Church.

Discussion with “Woven Being” curatorial team

Block Museum of Art, Northwestern University
Interview

This discussion explores how shared processes have been central to the planning of The Block Museum’s Woven Being: Art for Zhegagoynak/Chicagoland and how such approaches can be institutionally transformative. 

The exhibition planning emphasizes Indigenous methodologies that prioritize collaboration, reciprocity, and sustained dialogue. The curatorial team includes Jordan Poorman Cocker (Gáuigú [Kiowa], Terra Foundation Guest Co-Curator), Lois Taylor Biggs (Cherokee Nation and White Earth Ojibwe, Terra Foundation Curatorial Research Fellow), Kathleen Bickford Berzock (Associate Director of Curatorial Affairs), and Janet Dees (Steven and Lisa Munster Tananbaum Curator of Modern and Contemporary Art). 

Woven Being: Indigenous Art in Chicagoland highlights Indigenous methodologies such as collaboration, reciprocity, and sustained dialogue. The curatorial team explores how shared processes can drive institutional transformation. 

Related Resources

Woven Being Exhibition Catalogue
NATIVE AMERICAN ARTS
Woven Being Exhibition Catalogue
Woven Being Opening Talk
NATIVE AMERICAN ARTS
Woven Being Opening Artist and Curator Talk
Reimagining the Grant Process for Community-Based Projects with Block Museum’s Kate Hadly Toftness and Lois Taylor Biggs
NATIVE AMERICAN ARTS
Reimagining the Grant Process for Community-Based Projects with Block Museum’s Kate Hadly Toftness and Lois Taylor Biggs

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