Since time immemorial, every culture of people on earth has venerated the bodies of our beloved dead. We do this through art, care, ritual, and architecture. Knowledge of our mortality is universal to the human experience and lies at the root of all religion and philosophy, and much of our material culture In this workshop we will look at some ways that people throughout history have used visual art to honor the dead and the past, and how this is also an affirmation of life, the living, and the future. We will also talk about how artists navigate the ethical and political concerns that come up when making work about these topics.
Artists include: Briggita Nördstrom (funeral palls and baby blankets), Nirmal Raja, “Material Remains.” “Ghost Bikes” (International project based in U.S., 2003 – present), Tourmaline, “Atlantic is a Sea of Bones” (short film). Bryan Stevenson and Equal Justice Initiative’s “Community Remembrance Project.”
Readings: Teju Cole, “My Grandmother’s Shroud,” Dagmawi Woubshet; “Looking for the Dead: Disprized Mourners and the Work of Compounding Loss,” Elias Canetti; and selections from “Crowds and Power” on Mourning Crowds and Invisible Crowds.