A convergence of time-based pieces activates the installation by Edra Soto, La Casa de Todos, for a night. Pointing to the kinship between Caribbean ornamental fences and architectural jealousies or latticework—celosías in Spanish— Suspirar es Hacia Adentro, Susurrar es Hacia Afuera conjures happenings behind celosías’ porous membranes and highlights the “seeing without being seen” that […]