Critic Lori Waxman reviews two concurrent exhibitions focused on the radical social and political possibilities of progressive art education in Chicago.
The Chicago Reader profiles Jane Addam’s Hull-House Museum’s exhibition, Radical Craft: Arts Education at Hull-House, 1889-1935, which is presented as part of Art Design Chicago.
Amay Kataria speaks to Newcity about his contributions to South Asia Institute’s exhibition What Is Seen and Unseen: Mapping South Asian American Art in Chicago.
The Chicago Reader examines the significance of South Asia Institute’s exhibition “What is Seen and Unseen: Mapping South Asian American Art in Chicago.”