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Two boys run through a very rainy Pilsen street corner. A large church and cars in the background.
Akito Tsuda, "Untitled," 1990s, photograph. Courtesy of the artist. / Akito Tsuda, “Sin Título," 1990s, fotografía. Cortesía de el artista.

Tripartite Lenses: a History of Them, Him, and Us / Lentes Tripartitos: Una historia de ellos, de él, y de nosotros

While looking through his photos, I couldn’t help but picture the young Akito who came to Chicago seeking clarity in life, barely speaking English, and never considering himself an artist. ‘How did you get them to let you take the photos, especially in their homes?,’ I asked during our call. He answered: ‘I just asked really hard, genuinely: Please let me take your picture?’” — Xiao Faria daCunha, Sixty Inches from Center 

As part of an ongoing editorial partnership between Sixty Inches from Center and Art Design Chicago, contributor Xiao Faria daCunha takes a deep dive into Pilsen Days, an exhibition of more than 100 photographs of the Pilsen neighborhood’s Mexican community in the 1990s by Japanese photographer Akito Tsuda. Available in English and in Spanish, the essay considers comparisons between Tsuda’s experience of the Pilsen community in the 1990s and the city’s Japanese and Chinese communities and their similar stories of immigration and gentrification. 

“Akito’s lens becomes a viewfinder, allowing me to peep into the histories of Pilsen’s residents, and that of Chicago’s Japanese population, and my own: Chicago’s Chinese community.” — Xiao Faria daCunha, Sixty Inches from Center 

Read the full article on Sixty Inches from Center’s website. 

Akito Tsuda: Pilsen Days is on view at the Harold Washington Library until December 31, 2024.   

 

“Mientras miraba sus fotos, no pude evitar imaginarme al joven Akito que llegó a Chicago buscando claridad en la vida, apenas hablaba poco inglés y no se consideraba un artista. “¿Cómo conseguiste que te dejaran tomar fotos, especialmente en sus casas?” Pregunté durante nuestra llamada para este ensayo. Y él respondió: “Solo les pregunté con mucha sinceridad: ¿Me dejas tomarte una foto, por favor?” Xiao Faria daCunha, Sixty Inches from Center 

Como parte de una continua colaboración editorial entre Sixty Inches from Center y Art Design Chicago, la escritora Xiao Faria daCunha se adentra en Días Pilsen (Pilsen Days), una exposición de más de 100 fotografías sobre la comunidad mexicana del barrio de Pilsen en los años noventa por el fotógrafo Akito Tsuda. Disponible en inglés y español, el ensayo contempla la comparación entre la experiencia de Tsuda con la comunidad de Pilsen en los años noventa y las comunidades japonesa y china en la ciudad y sus historias similares de migración y gentrificación.

“El lente de Akito se convierte en un visor que me permite dar un vistazo a las historias de los residentes de Pilsen, a la de la población japonesa de Chicago y a la mía: la comunidad china de Chicago.” — Xiao Faria daCunha, Sixty Inches from Center 

El artículo completo está disponible en el sitio de Sixty Inches from Center.

Akito Tsuda: Pilsen Days se puede visitar en la Biblioteca Harold Washington hasta el 31 de diciembre de 2024.

ABOUT THE AUTHOR

Xiao Faria daCunha

Xiao Faria daCunha (she/her) is a practicing visual artist and an independent journalist covering what’s happening in the Midwest belt, focusing on lifestyle, art, and culture. By weaving her personal experience with public narratives, Xiao creates emotional and engaging conversations to interrogate, challenge, and advance existing perceptions of women, Asian diasporas, and other immigration populations.

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